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<title>The Journal of Archaeology &amp; Heritage Studies - Volume - 9 , Number - 1 , 2022</title>
<link>http://repository.rjt.ac.lk/handle/123456789/6765</link>
<description/>
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<dc:date>2026-04-05T20:01:18Z</dc:date>
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<title>Tooth Relic of the Buddha: A Relic in Sri Lankan Politics c. 300-2000: A  Review of the Book</title>
<link>http://repository.rjt.ac.lk/handle/123456789/6772</link>
<description>Tooth Relic of the Buddha: A Relic in Sri Lankan Politics c. 300-2000: A  Review of the Book
Wimalasena, N.A.
</description>
<dc:date>2022-01-01T00:00:00Z</dc:date>
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<title>An iconographic study of the Kareikkar Ammeiyar sculpture of the  Polonnaruwa period</title>
<link>http://repository.rjt.ac.lk/handle/123456789/6771</link>
<description>An iconographic study of the Kareikkar Ammeiyar sculpture of the  Polonnaruwa period
Dharmasri, C.P.
The main source of this research paper is Kareikkar Ammeiyar sculpture exhibited in Polonnaruwa &#13;
Archaeological Museum. With a very deformed female body, she is depicted in a posture of &#13;
singing something while holding a tambourine. Most of the bronze sculptures of Hindu women of &#13;
this era are built with full bodies. But the research problem here is to find out what caused the &#13;
creation of this sculpture with a completely different deformed, fallen body, and what visual &#13;
elements were used in the creation of this sculpture. Also, archaeologists have presented various &#13;
ideas and suggestions about this sculpture, but there has been no formal study from the &#13;
perspective of art history. Building a sculpture has its own principles. The purpose of this is to &#13;
analyse this sculpture using the principles of rhythm, balance, proportion, use of space, gaze and &#13;
scale, There, the figurative research method is used on the sculpture. Also, what are the &#13;
contemporary social and political relationships that led to the creation of the statue have also &#13;
been studied. This sculpture illustrates how the creator of a work of art has the freedom to &#13;
visualize and recreate a religious story using a three-dimensional model. Taken as a whole, its &#13;
depictions represent the Shiva veneration traditions of 11th century Sri Lanka. The sculpture &#13;
exhibited in the Polonnaruwa Museum is used as the primary source for data collection. Books, &#13;
magazines, newspapers and research articles have been studied as secondary sources.
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<dc:date>2022-01-01T00:00:00Z</dc:date>
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<title>පැරණි රෝහණයේ දොළොස්දහස් රට මානාවුළුපුර ප්‍රාදේශීය රාජධානියේ මුලික ආරක්ෂක ක්‍රමෝපාය පිළිබඳ පුරාවිද්‍යාත්මක අධ්‍යයනයක්</title>
<link>http://repository.rjt.ac.lk/handle/123456789/6770</link>
<description>පැරණි රෝහණයේ දොළොස්දහස් රට මානාවුළුපුර ප්‍රාදේශීය රාජධානියේ මුලික ආරක්ෂක ක්‍රමෝපාය පිළිබඳ පුරාවිද්‍යාත්මක අධ්‍යයනයක්
ප්‍රසන්න, ඩබ්ලිව්.ඒ.සම්පත්; ඇලෙක්සැන්ඩර්, කේ.එම්.
</description>
<dc:date>2022-01-01T00:00:00Z</dc:date>
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<item rdf:about="http://repository.rjt.ac.lk/handle/123456789/6769">
<title>බුවනෙකබාහු රජතුමාගේ පදීදොර තඹ සන්නස පිළිබඳ අධ්‍යයනයක්</title>
<link>http://repository.rjt.ac.lk/handle/123456789/6769</link>
<description>බුවනෙකබාහු රජතුමාගේ පදීදොර තඹ සන්නස පිළිබඳ අධ්‍යයනයක්
ගුණසිංහ, හසිත චාමිකර
</description>
<dc:date>2022-01-01T00:00:00Z</dc:date>
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